1905 movie network news The only youth film in the summer is released today.The film released the movie viewing strategy, which revealed the four highlights of the film and aroused the audience’s expectations. Directed by Hua Ming, with Peng Huaiyi as the chief producer, starring Neo, Peng Yuchang and Cass, and starring Kyle with special friendship, this film tells the story of three teenagers in their youth who are eager to return to the past, make up for their regrets and save their friendship. The film vividly reproduces their youth in a different narrative way, and also reminds everyone of memories of youth.

Breaking the routine fantasy campus youth story

Different from the traditional youth films on the market, Going Back to the Past and Embracing You broke the narrative style of previous youth films, taking "going back to the past and embracing the past" as the main line, blending fantasy elements in a different misplaced time and space, and telling the audience the unforgettable memories of youth of a group of passionate and "daring" teenagers. The reason why such a fantasy youth film was filmed, director Hua Ming said that there are many types of youth films on the market today, and how to break through the public’s inherent cognition of youth films is the key to whether the film can break through. Therefore, in the early preparation process of the film, the director and the team decided to add fantasy elements to make the film more imaginative, and this bold attempt really made the audience shine. In addition to innovation, the film also faces many challenges. Director Hua Ming once said: "In the filming process, the biggest challenge for me is the design of visual effects in the film, because this youth campus film is different from ordinary normal realistic youth films. Therefore, I also hope to give the audience some fresh and different visual effects, which is also a very challenging place for me. "

The only youth film with the highest value in summer file

Taking stock of the summer file period, many types of films are gathered. As the only youth film in the summer file, the addition of innovative storylines and fantasy colors has made the film not released, which has aroused the audience’s continuous concern and expectation. At the beginning of the film "Go Back to the Past and Hug You", three starring school uniforms were exposed in the same frame. The high value and full sense of youth of the starring actors made many viewers call it "the only youth film with the highest value in the summer file". Neo, Peng Yuchang, and Cass, the three new generation actors, have won the praise of countless audiences for their unique recognition and intense performances. The first collaboration of the three young actors on the big screen not only formed the trio with the highest value in summer, but also made the film more prominent in the sense of youth.

Too hard, Neo Peng Yuchang personally challenged the difficult diving.

In addition, in the "Save" poster released by the film today, Zhang Ziyang, played by Peng Yuchang, sinks into the sea alone, while Gosling, played by Neo, struggles to save his friend Zhang Ziyang. It is worth mentioning that many dangerous diving scenes in the film are completed by the actors themselves, and their professionalism has won unanimous recognition and praise from the public. It is understood that in order to present the role more perfectly, Neo shot 60 times for only one diving scene. Neo himself said: "Any slight imperfection will affect the presentation of the role. I have tried diving scenes many times, and I hope to interpret the role more perfectly." In the play, in order to show the diving scene more truly, Peng Yuchang was tied with heavy objects during the filming process, showing the feeling of sinking into the sea. After the film was finished, Peng Yuchang lost 10 pounds because of the play, which was enough to see the hard work in the filming process.

Youth stories arouse the collective resonance of the public.

In order to cooperate with the release of the film, the film also released a video "Who do you want to hug in the past?" In the video, the adults in the city seem to forget their memories when they are running around, but when they stop, they realize that their youth has left them for a long time. "If you could go back in time, who would you want to hug?" When asked this answer, it seems that many people’s first reaction will be silence. If I can go back to the past, I want to hug myself who fought alone in a big city. I want to hug my parents; Or maybe I want to hug a friend I haven’t contacted for years. If we can really go back to the past, can we really make up for the past regrets with hugs, and can the youth in our memory become a little different because of this hug? The story of the film "Go Back and Hug You" resonated with the audience to the greatest extent, leading the audience to face the period of youth that they don’t want to forget or mention in their hearts. In fact, looking back at our youth, it seems that everyone has experienced the pull of youth, and isn’t it that each of us, like the people in the film, has reached a reconciliation with our own life after repeated regrets and trial and error?

　

The movie "Go Back to the Past and Hug You" landed in the national cinema on July 26th.

Recently, two films produced by Jackie Chan and directed by Martion released concept posters and announced their official launch.

　

The war drama "Hometown Action" focuses on the extraordinary wisdom and human brilliance of China diplomats in the evacuation of overseas Chinese for the first time. The story of the sci-fi action film "The Electric Eel Man of Project Feilong" revolves around how the protagonist of high-tech transformation attacks criminal groups, trying to build a super team in China.

　

Jackie Chan encourages new directors to explore the Xinjiang boundary of Chinese films based on innovation in the international film industry.

Since Jackie Chan’s debut, he has created a brand-new field with his unique action comedy signboard, which has made him famous in the international film industry, and won the global fans’ pursuit with his desperate spirit, becoming a banner of Chinese films. Jackie Chan tries his best to find new breakthroughs in every play. This year’s Spring Festival is a challenge to perform a fantasy comedy interpretation of China’s classics, which is highly anticipated.

　

As we all know, Jackie Chan spared no effort in supporting new directors, cultivating new forces for Chinese films, encouraging younger generations to work hard, and encouraging young directors every time with years of hard work and exploration experience. The film market is changeable, and every attempt of young directors may not be successful. Jackie Chan even taught new directors to be more frustrated and never give up. It is with the encouragement and support of Jackie Chan’s spirit of persevering in hard work, striving for innovation and never giving up, that director Martion has devoted himself to developing new plays in the past two years, consulting a large number of real events and materials, and started Hometown Action and The Electric Eel Man of Project Feilong.

　

"Hometown Action" focuses on the courage and responsibility of China diplomats leading the evacuation of overseas Chinese.

In the first concept poster released by the war drama "Hometown Action", the distant cities in the Middle East were gradually destroyed by the war, and a Chinese rescue convoy with a five-star red flag appeared in front of us, bringing the hopeless China expatriates the hope of returning home. Slogan at the top of the poster pointed out the theme of "Wherever you go, the motherland is behind you", which aroused infinite national pride.

　

The film tells the story that during the war in Yemen in 2015, the embassies, consulates and front-line diplomats in Yemen, faced with the crisis, were instructed by the central authorities, under the guidance of the Ministry of Foreign Affairs of China, and with the cooperation of China’s military forces, evacuated China compatriots and foreign citizens urgently.

　

About Yemen’s evacuation of overseas Chinese, there have been films on the market before, but Martion said that "Hometown Action" is the first time to focus on diplomats, because diplomats are on the front line of evacuation, facing the complicated situation of foreign wars, they need to coordinate various forces at home and abroad, and they can show extraordinary strategic vision and courage. This is the hero who really leads the evacuation. Therefore, Martion devoted himself to studying all kinds of real information about the evacuation of overseas Chinese, constantly moved by the stories of diplomats in the evacuation operation, and polished the script repeatedly, striving to create the most authentic diplomatic hero.

　

Director Martion also revealed that "Hometown Action" will be filmed in the Middle East, Africa and other places, striving to truly reproduce the sense of the scene in the evacuation of overseas Chinese, capture the warmth and strength of China diplomats in the crisis, and show the demeanor and responsibility of a big country as a gift to the 70th anniversary of the founding of the People’s Republic of China.

　

"The Electric Eel Man of Project Feilong" builds China’s super team mutant to fight against international criminal organizations.

The sci-fi action film "The Electric Eel Man of Project Feilong" also released its first concept poster, in which a reward order was adsorbed on the current board by high-voltage current, and the light blue tone in the background showed the sci-fi texture of the film. An "electric eel man" with 600 volts was offered a reward for searching. The character didn’t reveal its true meaning, but the high-voltage current radiating around suggested the character’s powerful ability. In the reward order, the "Electric Eel Man" is a member of the mysterious organization "Justice Cleaner", which is a justice organization composed of mutants. The "Electric Eel Man" is the first to appear, and other super heroes are gathering to start the ultimate battle with the criminal group behind the scenes.

　

The film tells the story of a little guy who is transformed into a "drug superman" and involved in a close encounter of mahjong that has been hidden for ten years.

The film combines science fiction with crime. When a little guy is mutated into a superhero, how can he use and limit his own power to find out the truth behind the plot, and what kind of evil power will he face in the end? In the action scene of the film, the realism of "all fists are meat" and the coolness of "super power" are integrated, which will bring an unprecedented cool viewing experience.

　

In recent years, while China’s films are actively upgrading their industrial standards, innovations in genre, theme and techniques often win the favor of the market. Producer Jackie Chan and director Martion directed Hometown Action and Electric Eel Man of Feilong Project, a diplomatic hero of China who shaped the international crisis from a brand-new perspective, showing great country demeanor and human brilliance; An organization that integrates science fiction into crime action movies and creates a super-justice organization with flesh and blood, this positive innovation in creation is bound to bring a new vision to Chinese films and inject new vitality into the film market.

　　Yu Long, chairman and famous conductor of beijing music festival Arts Council, and cellist Yo Yo Ma and sheng player Wu Tong.

　　The 21st beijing music festival with the theme of "Enjoying Chinese and Western Music, New Voices of the Times" was held as scheduled in the golden autumn. A new Chinese drama Farewell My Concubine, which has unique cultural elements in China, opened this music festival, and the subsequent companion "The Orphan of Zhao" made the audience feel refreshed. This year, people found that, unlike the past, which focused on displaying western classic works and focusing on international famous masters, this year’s beijing music festival not only promoted the "China concept" to an unprecedented level, but also injected richer connotations into this artistic concept through bold exploration.

　　For the first time, the "companion piece" of the new Chinese drama was launched.

　　The theme of China runs through this music festival.

　　At the closing concert in beijing music festival in 2017, composer Chen Qigang’s new violin concerto "Sorrow and Joy" became famous, and the "China Concept" was the perfect ending of the 20-year music festival. A year later, at the opening ceremony of the 21st beijing music festival, Farewell My Concubine, which contains the charm of China’s classic culture, made the "China Concept" shine again on the stage of the music festival.

　　Beijing music festival, whose mission is to spread and popularize classical music and elegant art on the stage in China, has never forgotten its responsibility and mission as an art institution in China for many years, that is, to introduce the world’s fine music art to the audience, but also to let the world know the achievements of China’s music development. From last year’s closing concert, which ended with the works of Chen Qigang, a representative contemporary composer in China, to this year’s opening of the new national drama by Chen Shi-Zheng, an outstanding overseas Chinese artist, beijing music festival realized the cross-year relay of the "China concept".

　　Moreover, only one day after Farewell My Concubine, another musical theater, Orphan of Zhao, made a dazzling appearance. In this musical theater work sung by foreign artists in English, China’s story and China’s elements were highlighted in an extremely novel and modern way. This comprehensive form, without asking about China and the West, can be called beijing music festival’s extremely bold attempt in the field of "China concept". With the emergence of these two works, the repertoire of the music festival, which used to be occupied by western classical operas, has become a stage for the full bloom of the "China concept" this year.

　　Similarly, this year’s beijing music festival held a concert of China’s works with the theme of "Embracing the New Era", and made sincere contributions to the 40th anniversary of the reform and opening up, including the works of the older generation of China composers such as Chen Peixun and Bao Yuankai, and a symphony suite "Embracing the New Era" arranged to commemorate the 40th anniversary of the reform and opening up, including In the Field of Hope, Pearl of the Orient, I Love You China and so on.

　　At the closing concert of this year’s music festival, the "China concept" once again became the highlight. Following the invitation of Vengerov, a world-famous violinist, to present Chen Qigang’s new work "Sorrow and Joy", Ma Youyou, a world-renowned Chinese cellist, was invited to perform "Wandering for Pipa, Cello and Orchestra" by composer Zhao Lin, a new work commissioned by New York Philharmonic, Hangzhou Philharmonic Orchestra and beijing music festival, which was based on China’s classical masterpiece "Wandering" by Zhuangzi, and was full of China traditional cultural elements.

　　It can be said that in this beijing music festival, the "China Concept" runs through and blooms everywhere, and has been promoted to an unprecedented level. Besides the unprecedented increase in the proportion of performances, China’s concept has a different embodiment from previous music festivals in terms of connotation, value, form and extension.

　　Hai na Bai chuan explores new artistic concepts

　　Create an upgraded version of "China Concept 2.0"

　　Since the concept of China was first put forward in 2002, it has become the most important core value of beijing music festival. From the beginning, Chinese composers Ye Xiaogang and Chen Qigang, who are well-known at home and abroad, held special concerts on the stage of the music festival, to the beginning of domestic opera performances, Guo Wenjing’s operas "Diary of a Madman", "Banquet", "Poet Li Bai" and "Gambling for Life", which were highly praised in Europe, returned to the China stage, and then to Zhou Long’s "Legend of the White Snake" and "Nine Songs" and "Ping Pong" in recent years.

　　With the extraordinary years that beijing music festival has gone through for 20 years, the "China concept" is also facing the task of upgrading and bringing forth new ideas. It is against this background that the theme of this year’s Music Festival is "Music Meeting the New Voices of Chinese and Western Times", which is the first time in the history of the Music Festival to take China elements and China background as the themes, so that China elements can be integrated into the world music map under the background of globalization with an innovative attitude, and further exploration can be sought under the concept of "China concept".

　　Different from the whole Kunqu Opera Peony Pavilion and Peach Blossom Fan, which were released in early music festivals, Farewell My Concubine, a new Chinese drama, fuses Peking Opera with the modern art stage, giving China culture wings to soar over the times, while its companion, Orphan of Zhao, adorns the ancient and vivid story of China with international cutting-edge artistic elements, which can be described as spanning ancient and modern times, both at home and abroad, and is inclusive. The two works not only break away from the traditional artistic vocabulary, but also contain profound artistic conception and spirit of traditional culture.

　　Many years ago, both works were successful when they were performed overseas, and they were regarded as models of combining China charm with western aesthetics, which had already surpassed the original appearance and category of China’s concept. If we say that beijing music festival used to interpret the concept of China only by China’s works, today he has stood in the perspective of globalization and reshaped the artistic value of the "China concept".

　　Coincidentally, in addition to the works themselves, in recent years, under the guidance of "China concept", beijing music festival has paid more and more attention to outstanding Chinese artists, and has surpassed the traditional music art field.

　　Chen Shi-Zheng, the director artist who shines on the stage of this year’s music festival, is the most typical example. His high-profile appearances of Farewell My Concubine and Orphan of Zhao conveyed beijing music festival’s hope that more works of "China Concept" will be returned to the nest and Chinese artists will go home. It is also based on this that the Music Festival regards outstanding China artists around the world as a valuable asset. On the night of the performance of Orphan of Zhao, this year’s annual artist award was awarded to director Chen Shi-Zheng, which is also an affirmation of the brand-new upgrade and new start of the "China concept".

　　Don’t forget the initial mission

　　Create a new situation in art

　　Today, beijing music festival has become an important window for the capital cultural stage to spread elegant art and promote cultural exchanges between China and foreign countries. Today’s development achievements are inseparable from the background of the deepening of reform and opening up and the further growth of the country’s soft power. At the same time, in the past two decades, beijing music festival has grown with the increasing influence of China in the world, and has also put forward new requirements for its own development.

　　Nowadays, the world is changing rapidly. Our country, as always, upholds the concept of multilateral development and the value of globalization. It is the special mission of the upgraded "China Concept Version 2.0" to create the value of China, tell the story of China and convey the voice of China in the context of globalization.

　　Whether it’s the new Chinese drama Farewell My Concubine, the companion piece of the musical theater Orphan of Zhao, or the theme concert of "Silk Road Trip" jointly created by Chinese artists at home and abroad, it shows that beijing music festival is standing in a new historical stage and trying to spread the vision of China value, China story and China voice together with artists, creators and art institutions from all over the world, and build a 21st century through the theme of "China concept". This is a positive practice of "strengthening cultural exchanges between China and foreign countries, taking me as the main factor, taking everything into consideration, promoting the construction of international communication ability, telling the story of China well, showing a true, three-dimensional and comprehensive China, and improving the country’s cultural soft power".

　　Now, beijing music festival, which has gone through 20 years of development, stands in front of new historical opportunities, will never forget its initial mission, constantly open up a new situation, and forge ahead courageously on the broad artistic road of "China Concept" to create new achievements.

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